Anatomy Of A Typeface

In other cases however especially between text designs having similar characteristics the differences can be subtle and difficult for the lessexperienced eye to see. Anatomy of a typeface.

Anatomy Of Typography Anatomy Of Typography Type Anatomy

Aperture opening at the end of an open counter.

Anatomy of a typeface. Beyond anatomy of a typeface lawson has considered and discussed the classification of types. Anatomy of a character. Anatomy of a typeface is a book on typefaces written by alexander lawson.

The counters are only the start of examining the anatomy of the typeface. Anatomy of a typeface. Theres also crossbars and cross strokes in the middle of other letters.

A typeface comprises a family of fonts such as garamond regular garamond italic garamond bold etc. One important step in training your eye to notice the details that set one design apart from another is to examine the anatomy of the characters that make up our alphabet. Typeface anatomy describes the graphic elements that make up font in a typeface.

The book is notable for devoting entire chapters to the development and uses of individual or small groupings of typefaces. That discussion tends to be spotty though and the successful reader already knows a few different ways for serifs to differ from each other for line weight to vary and lots more. Written by an expert who has examined letters all his life this monumental analysis of letter forms considers a broad and representative range of international typefaces.

Bowl a curved stroke that encloses a letters counter. Ascender an upward vertical stroke found on lowercase letters that extends above the typefaces x height. In a field of text the greatest density occurs between the baseline and the x height.

To the layman all printing types look the same. Baseline the invisible line where letters sit. Then in more curvy letters the link loop and ear may differ.

The height of the main body of the lowercase letter or the height of a lowercase x excluding its ascenders and descenders. Anatomy of a typeface. The larger the x height is in relation to the cap height the bigger the letters appear to be.

A font is a specific weight or style within a typeface family such as garamond italic. Theres the stem that holds up some of the letters sort of like a backbone. Lawson explores the vast territory of types their development and uses their antecedents and offspring with precision insight and clarity.

Arm a horizontal stroke not connected on one or both ends. But for typographers graphic artists and others of that lunatic fringe who believe that the letters we look at daily and take entirely for granted are of profound importance the question of how letters are formed what shape they assume and how they have evolved remains one. A typefaces chapter analyzes the structural features of the sorts glyphs noting how the typeface fits into the usual bins labelled black letter or modern etc.

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